Tag Archives: Olympus OM10

ArcTanGent Festival – The best fun you can have in a field!

Been a little while since my last proper post, been a rather hectic summer with work and photos and school holidays and everything. I know, no excuse at all! Still…

So…

Last weekend it was the first incarnation of a wonderful little festival called ArcTanGent, run by the same people that do the 2000 Trees Festival. Myself and a group of randoms went down to listen to many bands that I like, and many that I’d heard good things about (often through the Echoes and Dust blog), but for me, mainly to celebrate a good friend’s 40th year on this planet 🙂

Particularly due to the last mentioned point, I fully expected to get somewhat messy during some points of the weekend, and so I decided to leave the beloved DSLR at home (mainly for the fear of losing it in a field somewhere near Bristol…) and take a couple of film cameras with me instead. My reasoning being that if I broke them/lost them/submerged them/gave them away while drunk I’d only have to pay about £50 to get some fairly decent replacements.

So, I boldly strode into the breach armed only with my trusty Olympus OM 10 and Pentax P30, one roll of Fuji Velvia 50, one roll of Pan F 50, one roll of XP2 Super 400 and a random roll of Boots Gold ISO 200. So a rather mixed bag, just the way I like it!

Suffice to say that the Festival was a storming success! I think that during the whole weekend there was only one or two bands that didn’t catch my imagination. The vast and overwhelming majority were absolutely stunning! The stand out acts for me personally were And So I Watch You From Afar who blew both my brain and my eardrums to bits, Future of the Left, who were incredibly noisily brilliant, Manchester’s own Cleft and Charlie Barnes, Bristol’s awesome ANTA, and the rather unexpected and leftfield brilliance of SJ Esau.

If you want to hear more about the music, I’ll leave most of that wordy goodness to those folks at Echoes and Dust who are far more competent wordsmiths than I, so click this link if you want to hear all about it…

What I will do though, is leave you with the best of the photos from those four films that I want through from Thursday to Saturday. Do go listen to some of that music if you’re interested in noisy guitars and intricately played excellence. You might even like it so much you want to buy some!

P.S. The  people wrestling were doing it for fun, not fight… just to be clear…

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The First Film of 2013

Well, obviously not the first of anyone’s films, just the first of mine. Shot on my lovely OM10 on a roll of Boots ISO 400 colour.
There’s a nice range of shots though, from a good few outings showing the varied states of terrible/good weather we seem to be having over the last couple of months (I am in Manchester, what can you expect?!).
Still, very happy with some of the shots, definitely a couple of keepers in there!

Hope that the Christmas and New Year break treated you all well, hope you like the photos and watch this space for more (especially as I’ve also just picked up a Pentax P30)…

All the best!

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Posted in Blog, Film Photography Also tagged , , , , , , , , |

Lou and the Llamas and the Levy Jamboree!


Levy Jamboree Flyer
Been a little while since I last posted, very remiss of me I know…

So I thought I’d catch you up with a little something that’s going on as part of the Levenshulme Festival this year, The Levy Jamboree.

It’s a little gig on Friday the 9th of November at the Klondyke club in Levenshulme , organised by Lou Armer who organises the Levy Uke Up that I’ve mentioned previously on here, and featuring all local artists. Weirdly enough, I’ll actually be playing the banjolele as part of the Levy Uke Up (as will my better half on her uke) so do feel free to come and heckle, it would be lovely to see you!

Conveniently enough, Lou’s band, Lou and the Llamas (although you could have guessed that, right?) played their first gig a week and a bit ago and I shot a few frames of film while I was there. I’ve just got them back and well, now seems like the perfect time to share. All of the Black and white shots were taken with an Olympus OM10 on 35mm Ilford XP2 Super 400 and the lone colour shot was taken on a 1920s (I think) Voightlander 6×9 folding camera on Portra Pro 160 VC.

If you do come down on Friday, do come early as all of the acts are good, and if you enjoy live stuff with real instruments of the more gently acoustic persuasion, you’ll be in for a right treat. It may only be the Llamas’ second gig, but they play beautifully together and create a wonderful sound. So, I’ll stop wittering on now and let the photos speak for themselves.

Enjoy your week and maybe see you on Friday? I’ll be frantically practising till then!

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Posted in Blog, Film Photography, Gigs Also tagged , , , , , , , , , , , , , , , , , , |

A Voightlander visits the Gower

My late 1920's Voightlander Bessa

My late 1920’s Voightlander Bessa folding camera.

Just a quick post this time, just to say hello after being away for a week or so in South Wales. It’s the first time that any of us had been to the Gower peninsula, and you know what, it’s an absolutely gorgeous part of the world. Stunning scenery, just a shame we couldn’t say the same for the weather. It was, at least, warm all of the time. It was, however, windy and windless and scorching sunshine and cloudy and foggy and light rain and torrential rain and thunder and lightning… So, a typical summer in the good old British Isles…

Anyhow, I took a couple of film cameras with me, the first being a 1920’s Voightlander Bessa folding medium format camera. It takes 6x9cm negatives on medium format 120 roll film and I can honestly say that it’s the most difficult camera that I’ve used so far.

You see the little square bit to the top right of the lens in the picture? That’s the (tiny!) viewfinder… It’s also distance scale focusing (I love distance scale focusing…). Still it is medium format, it’s got a nice 11cm f4.5 Anastigmat Voigtar lens and should in theory be capable of taking 8 very lovely 6×9 pictures per roll. Yes. Eight.

Not much chance to get things wrong then…

Although to be fair, I did get seven well exposed negatives out of eight from the roll of Ilford XP5 (B&W) that I loaded it with, and from the couple that were in focus, you can certainly get some stunning quality from it. It was, however, incredibly difficult to get accurate focus with. The lens takes a full (very stiff) turn to go from 3 feet to infinity focus and at around £2 per picture for develop and scan, when compared with the success rate, it could get rather expensive…

Still here are the 7 shots from it taken over the course of a very lovely week in the Gower. It was wonderful to get away from it all for a little while 🙂

Wood turningThe Gower Heritage CentreThe Mumbles beachThe mumblesPort EynonThe MumblesThe view from the campsite.

 

My Olympus OM10 SLR

My Olympus OM10 SLR

The second camera I took with me was an Olympus OM 10 with a Zuiko Auto-S 50mm f1.8 lens.

The OM10 is a complete contrast to the Voightlander. It’s very simple to use and even has in built metering and manual focus that you can check through the viewfinder. All the mod cons!

This has got to be the easiest film camera I’ve used so far (apart from the no control point and shoots) and is an absolute joy to use. Manual focus is generally quite easy as well due to the large viewfinder and focus confirmation point. So here are a few of the shots from that as well. B&W shots are on Ilford XP2 Super 400 and the colour ones are Kodak Ultramax 400.

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